🍿 werckmeister harmonies, (dir. béla tarr, 2000)
the whale itself was constantly remediated…transformed through death and putrefaction and also through various attempts at arresting putrefaction through freezing, chemical treatment, and taxidermy.
jamie l. jones, “fish out of water: the ‘prince of whales’ sideshow and the environmental humanities”, configurations 25(2) (2017). https://dx.doi.org/10.1353/con.2017.0012

![The media infrastructure approach is especially resonant in the case of the Prince of Whales, whose message was inseparable from its materiality, and whose means of transmission was a continent-wide assemblage of trains, railroads, and human and animal labor teams.&10;And, as the foregoing narrative demonstrates, the whale itself was constantly remediated: the whale was transformed through death and putrefaction and also through Newton and Engelhardt's various attempts at arresting putrefaction through freezing, chemical treat-ment, and taxidermy. Jay David Bolter and Richard Grusin theorized remediation as a way of understanding new digital media, but their ideas enable new understandings of the whale show as well.[48] Bolter](https://cdn.uploads.micro.blog/304411/2026/screenshot-2026-03-15-at-16.22.11.png)

